Showing posts with label Claire Louise Staunton. Show all posts
Showing posts with label Claire Louise Staunton. Show all posts

New Cities Projects at ICA in London





Jane Drew (1911-1996): An Introduction
12 Feb 2014 – 23 Mar 2014



Vision Forum node New Cities Project presents a selection of artworks, books and ephemera related to British architect and educator Jane Drew at ICA in London.

Jane Drew (1911-1996) was a British architect and educator. Her work signaled a major shift from universal modernism to responsive and vernacular design. Drew was an instrumental agent across the projects and fields of urban and domestic design in which she worked, yet has remained unrecognised relative to her male contemporaries. She began her career designing ergonomic kitchens and was responsible for the standard height of ovens that is still used today. A close ally of Paolozzi, Moore and Hepworth, Drew can be credited for securing the premises of the ICA (both at Dover Street in 1950 and The Mall in 1968) where she with others collectively re-designed the interiors including the fittings and furniture. Contemporary art was fundamental to her designing process and while working with her husband Maxwell Fry, she commissioned artworks as integral elements within building projects – which in the UK included social housing and public infrastructure in London and various New Towns.

New Cities Project at Liverpool University


Claire Louise Staunton and James Price will present the New Cities Project  research at the Transnational Architecture Group's 2013 Conference 'The Influence of Fry and Drew'. Convened by Jessica Holland and Iain Jackson, the conference aims are set out as follows:

"For over fifty years, E. Maxwell Fry (1899–1987) and Jane B. Drew (1911–96) were integral members of the English architectural avant-garde. The Fry and Drew partnership – in its various incarnations – was a magnet for architects and architectural students from all over the world, giving the practice a distinctly international outlook. Their built works, from the 1920s to the 1980s, cross the globe from Europe to South-east Asia."

Claire Louise Staunton will present new research on Chandigarh, developed as part of the New Cities Project, under the working title 'Subverting Modernism through autonomous urbanism'. Alongside this presentation there will be a screening of James Price' short film Corrections and Omissions (2013) produced during our research trip to India at the end of 2012.

A draft programme for the conference is available here

Art and Science at Flat Time House, London





Vision Forum has since 2009 been collaborating with curator and Flat Time House director Claire Louise Staunton on the New Cities Project. One of Vision Forum's three research fields is "Platforms for Meetings between art and Science." In order to make use of the network that we have developed in this field and draw inspiration from John Latham's work Vision Forum and Flat Time House together arrange a workshop on art and science on January 27 at Flat Time House in London - 210 Bellenden Rd, London SE15 4BW.


Invited participants:  Fatos Üstek, Claire Louise Staunton, Mauricio Dwek, Aurele Duda, Elena Nemkova, IMS project, John Hill, Stephen Whitmarsh, William Stafford and Per Hüttner.

Programme of the Day

11.00 Per Huttner introduces Vision Forum and art/science project
11.20 Stephen Whitmarsh speaks about art from the perspective of Neuroscience
11.30 Claire Louise Staunton introduces John Latham and Flat Time
11.50 Fatos Ustek and Mauricio Dwek will introduce the topic of discussion, 0/0
14.00 Lunch at The Begging Bowl thai restaurant, Bellenden Rd
15.30 Presentation and video from IMS
16.00 Discussions

Art & Science Workshop Why and for Whom?


The world population has recently surpassed 7 billion and the number of living souls on this planet has doubled since the 1970's. There are growing pressures on the environment, global food supplies, and energy resources and we need new solutions to manage such demands. The world is in need of new ideas, new thinking - creativity in short.



The amount of research, production and publication in all creative fields (artistic and scientific) inevitably leads to a process of a higher specialisation and will continue to specialise in the coming decades. Today’s research and production in a single field is so immense that it is impossible to have an overview of all the exploration that is being undertaken. So, we have to accept that art is art and science is science.


A dialogue between art and science has two important advantages (from an artistic point of view):



- A dialogue in specialized field always runs the risk of becoming too self-contained. When we move outside our comfort zones, we become aware of our own vulnerability – and I mean this in the best sense of the word. We become aware of the limits of our knowledge and working methods. We have to remain far humbler in our ignorance when approaching another genre or discipline. 



- Certain fields of mathematics and physics offer concepts that are counter-intuitive. They function contrary to what our experiences in everyday life and at the same time can be proven mathematically and through experiments. These ways of thinking offer mental gymnastics that open to new ways of perceiving the world. Whether we believe that our perception of the world is too anthropocentric or not - we can find inspiration to deal with problems in novel ways.



Why 0/0?

The number zero is considered to be one of man's most important conceptual breakthroughs. Depending on the the position, its meaning changes greatly (examples: 01, 10, 0.1 etc.). We have chosen to use the idea of 0/0 as a starting point for a dialogue between art and science, because it offers a very interesting paradox where science is compelled to deal with philosophical questions much like those that art grapples with. 0/0 offers a platform where we can discuss on relatively equal terms.

Already any natural number divided by zero (a/0) poses a problem with many different 'solutions.' And zero is said to be divided by all numbers but itself. In other words 0/0 is a trickster that allow us to prove virtually anything true. Have a look at this:



For more information visit Flat Time House and Vision Forum's websites.

Who Is Who in Vision Forum




Vision Forum is a network of visual artists and curators from Europe who work together with creators in film, music, dance, theatre, literature along with researchers in the humanities and sciences. Together we are between 50-100 people engaged in research, production and education. We work towards having a totally horizontal organisation where the creators and researchers together develop the program of the organisation.

Artist Per Hüttner is the director of the organisation since 2009. Konstantin Economou has been our primary collaborator at Linköpings university since the beginning. We currently collaborate with Fatos Üstek, Claire Louise Staunton, Anders Paulin, Sara Giannini, Susanne Ewerlöf, 98weeks, Assabil libraries, Enough Room for Space and Mauricio Dwek who run nodes in collaboration with us. You will find who participates in each node by clicking on the links under "Current Vision Forum Projects" in the top left corner of this page.

Most of us are based in Europe and we often collaborate with institutions and creators in Asia, Australia, Africa and the Americas. Find out more by browsing our blog and looking at the previous projects we have organised and the catalogues that document them. You find them in the left column of this page. Enjoy!