Showing posts with label Istanbul. Show all posts
Showing posts with label Istanbul. Show all posts

Fatos Üstek Guest Author on GAM Website



Vision Forum member and London-based writer and curator Fatos Üstek writes about the quickly expanding art scene in Istanbul. She starts:

Istanbul lies between Sao Paulo and Hong Kong, Moskow and Abu Dhabi. This reconfiguration of the geographical marking is significant in understanding and articulating the current strata of Istanbul’s artistic landscape. It is no longer the door to the East – as the East is reinitiating its own self, nor it is a bridge that commensurates two distinct positions and world-views such as East to West, and North to South. Istanbul operates along the streamlines of these newly introduced finance capitals; as recently gained strength of financial power in the aforementioned cities play a significant role in the repositioning of power dynamics in global scale. Naturally, poignant state of the labour force (in mass production) and new conditions of trade alongside the recent Western financial crisis shift the theocratic model of distribution of power towards a rhizomic model of organisation. Indeed, the new condition is not about production of a polarity, but a situation with refreshed set of parameters.

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Le Jardin de la Spéculation Cosmique - In Istanbul

Le Jardin de la Spéculation Cosmique

18.10 – 17.11.2012
Curator: Fatoş ÜSTEK
Artists:  Haluk AKAKÇE, Hussein CHALAYAN, Arik LEVY, Serkan ÖZKAYA & George L.LEGENDRE, Ali Emir TAPAN, Evren TEKİNOKTAY, Elif URAS, Nil YALTER

Le Jardin de la Spéculation Cosmique (Garden of Cosmic Speculation) emerges as a garden composed of artistic content. A garden of speculation on the nature of cosmos already exists in South West Scotland and is formulated by landscape architect and theorist Charles Jenks. The translations of cosmic compositions such as solitons, black holes, fractals appear as objects and installations in large scale on custom shaped trees, ponds and earth. The exhibition Le Jardin de la Spéculation Cosmique shares the same name with Jenks’ garden, yet it differs in kind. Following a counter-action to that of Jenks’ illustrative attitude in fabricating its cosmic speculative nature: the exhibition gathers positions that produce further the existing, the given.

The pieces trigger a conceptual beyond, rather than displaying illustrations of cosmos. They differ in kind from one other in their aesthetic manifestation and subject matter; yet they conceive acts of furthering the given, the existing. Those additional dimensions constitute the cosmic fabrication of speculation. The garden as a metaphor for an exhibition marks the structure of its constellation, as well as its mental space. An exhibition akin to that of a garden is a specification of conscious selection and exclusion of things, an organisation on an intellectual level; it contains many worldviews and relations at play. Le Jardin de la Spéculation emerges as an experience succeeded by the encounter of its viewer. The exhibition, hence, brings forth a multitude, a heterogeneous togetherness of distinct bodies of work in a constellation that of which formulates an imaginary garden.